What:
A Single Man
Where:
In cinemas from February 25
Watch the trailer:
Here
Win:
Thanks to Icon, we have 3 dbls to give away! To enter, email win@fivethousand.com.au with the subject ‘He says you're light in your loafers'
Fashion designer Tom Ford's directorial debut is high modernism at its most mannered and hallucinatory. Perhaps Ford means to express the increasingly unreal quality of life for a man who's decided to die. But secretly, I think he's just wallowing in aesthetics. That scene with the topless tennis players is a bit much.
Eight months after the love of his life, Jim (Matthew Goode), died in a car crash, LA-based British expat George Falconer (Colin Firth), a literature professor, is struggling to maintain the appearance of normality. Over one momentous day, his resolve to commit suicide fluctuates through encounters with the apple-pie family next door, his louche best friend Charley(Julianne Moore), a Spanish hustler, Carlos (Jon Kortajarena) and a (bi-)curious student, Kenny (a bronzer-doused Nicholas Hoult).
Ford's treatment of pre-Stonewall homosexuality may be circumspect, but Firth excels at milking it of its subtexts. He's the quintessential repressed Englishman. But unexpectedly, he's also wickedly funny. I cared what happened to George. It's just a pity that Mad Men aestheticised early-'60s Americana before A Single Man. But Ford knows it: see if you recognise the voice on the phone delivering George his terrible news.
By Mel Campbell
Format: Cinema
Genre: Drama
Keywords: A Single Man
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